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Depuis deux ou trois décennies, les historiens de l'art font appel à un terme et à une notion dont leurs devanciers n'usaient qu'avec parcimonie : le programme. Au Moyen Âge ce mot est inconnu, tant en latin que dans les langues vernaculaires. Quant à la notion, si tant est qu'elle existe, elle s'exprime par un grand nombre de vocables recouvrant des entreprises et des pratiques différentes. Par là même, est-il légitime et pertinent de recourir à ce concept de programme en histoire de l'art médiéval?Plusieurs chercheurs - archéologues, historiens de l'architecture, de la sculpture, de la peinture, de l'enluminure, du vitrail et même des textes littéraires - se sont posés cette question et ont souhaité en débattre lors de deux journées d'étude. Celles-ci se sont tenues à Paris, à l'Institut national d'histoire de l'art, en novembre 2006 et en mars 2008. Le présent ouvrage en constitue les actes.

Christian religion --- Art --- anno 500-1499 --- Art, Medieval --- Christian art and symbolism --- Art médiéval --- Art et symbolisme chrétiens --- Congresses --- Congrès --- Art médiéval --- Art et symbolisme chrétiens --- Congrès --- Art, Medieval - Congresses --- Christian art and symbolism - Congresses

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Iconography --- anno 1200-1499 --- Art médiéval --- Femmes --- Thèmes, motifs --- Dans l'art --- Thèmes, motifs.

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Euw, Anton von --- Illumination of books and manuscripts, Medieval --- Art, Medieval --- Bibliography --- Euw, Anton von, --- Euw, Anton von. --- Von Euw, Anton, --- Illumination of books and manuscripts, Medieval - Bibliography --- Art, Medieval - Bibliography

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late middeleeuwen --- art market --- Art --- Art, Medieval --- Art, Renaissance --- Art médiéval --- Art de la Renaissance --- Marketing --- History --- Congresses --- Economic aspects --- Congresses. --- Commercialisation --- Histoire --- Congrès --- Aspect économique --- Mass production --- Art médiéval --- Congrès --- Aspect économique --- Art - Economic aspects - Europe --- Mass production - Europe

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This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.

Dragons in art. --- Islamic art and symbolism. --- Art, Byzantine. --- Art, Medieval --- Christian art and symbolism --- Dragons in art --- Islamic art and symbolism --- Islamic symbolism --- Symbolism, Islamic --- Islamic art --- Islamic arts --- Symbolism --- Symbolism in art